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COLUMBIA UNIVERSITY 


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Columbia University Libraries 


https://archive.org/details/gorhammemorialta00gorh 


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GORHAM MEMORIAL TABLETS 





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GORHAM 
MEMORIAL TABLETS 
Made in Bronze Brass 


Marble Mosaic and 
Other Materials 


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New York 
GORHAM BUILDING 
FIFTH AVENUE 


Thirty-sixth Street 


Copyrighted by 
The Gorham Manufacturing Co. 
1905 


NIC 
SP 


Arranged and Printed by 
The Department of Stationery, Gorham Co. 
New York 


CONTENTS 


Pagr 
Concerning Memorial Bronzes 11 
Memorials to Individuals 21 
Military and Historical Tablets 40 
Hospital Tablets ol 
Library Tablets 62 
School Tablets 69 
Churches and Public Buildings Ha 


Miscellaneous Small Piates 88 





Concerning Bronzes 
WITH A WORD AS TO MEMORIAL TABLETS 


HAT the Bronze Foundry of the Gorham Com- 
pany should for many years past have been 
one of the most important departments of that 

great organization is a matter of no wonderment to 
those who realize how closely allied to the silver- 
smith’s art is the production of sculptural and deco- 
rative castings in bronze. 

From the very inception of the history of the 
artistic crafts the worker in gold and silver has re- 
garded the casting into decorative forms of the 
golden hued alloy of copper and tin and its subse- 
quent finishing by the chasing process as properly 
pertaining to his own art. 

Identical with the Chalkos of the ancient Greeks 
and the 4s of the Romans, bronze, though not one 
of the so-called “precious metals,” has yet always 
ranked at least next to silver in its intrinsic impor- 
tance. Indeed there have been times when it has 
been more costly than silver itself, as, for instance, 
was the case with the golden colored bronze of 
Corinth, or A4és Corinthiacum, which, so Pliny tells us, 
was held more precious than silver and little less val- 
uable than gold. By common report this owed its 
discovery to the accidental fusion, during the burn- 
ing of Corinth, of statues of ordinary bronze with 
ornaments of gold and silver; more probable, if less 
romantic, however, is the theory that ascribes its 
beautiful color to the ingenious proportioning of 


II 


their metals by the artificers of Corinth who had made 
this famous alloy long antecedent to the destruction 
of their city. The quality of bronze indeed has 
remained even until our own day a subject of con- 
tinual experiment, of controversy and, to a certain 
extent, of mystery. Even among the ancients there 
were many varieties and sedulous pains were taken 
by the artificers jealously to preserve the secrets of 
the composition of the alloys chiefly affected by 
them. Thus of the Corinthian bronze itself there 
were three varieties, one of them, the white or Can- 
didum, having undoubtedly a large proportion of sil- 
ver in its composition. Then there were the dark 
liver-colored bronze, or hepatixon, and the bronze of 
Delos as well as that of A#gina. With the revival of 
sculptural bronze-casting by the craftsmen of the 
Italian Renaissance the composition of the material 
varied as in the older days; for the most part, how- 
ever, it was of good quality, as there was no disposi- 
tion on the part of the artists, who were their own 
founders, to cheapen the metal by the admixture of 
inferior alloys and thereby to rob it of its full effect. 
Donatello, Ghiberti, Verrocchio, Pollaiuolo, and the 
others of that noble band of goldsmith-sculptors 
used the richest metals they could procure, though, 
as the varying colors of the works which still remain 
to us show, they confined themselves to no strict 
formula. At times indeed, as when that gallant and 
cheerful ruffian Benvenuto Cellini cast his household 
utensils of pewter into the furnace to save his great 
“Perseus” from destruction, they made convenient 
use of any metal that would melt and was of easy 
ACCESS. 


The methods of working bronze into enduring 
forms and “counterfeit presentments ” have varied 
very largely in accordance with the shifting value 
of the alloy itself. Thus in prehistoric times its 
ereat value forbade that lavish expenditure of it 
which the process of casting demands. It was in- 
stead, when used in the arts, beaten into thin plates 
which were pinned or riveted together and fashioned 
into the required shapes over a wooden or other 
core, this work being known as sphrelata. At other 
times these thin plates were embossed or beaten up 
in a mould and finished with the punch and chaser, 
a form of work known as emblemata. It is probable 
that some of the earliest forms of statuary were pro- 
duced by casting solid in a mould, but the Egyptians, 
pioneers in so many of the useful arts, practiced at 
a very early date the art of hollow casting, by 
which the solid metal interior of a figure was sup- 
planted by an earthen core and thus both economy 
of metal and convenient lightness were secured. It 
is by this method of casting carried to the ultimate 
pitch of artistic perfection in the process known as 
that of the cire perdue or “lost wax,” that we owe 
the finest bronzes not only of antiquity but of the 
Italian Renaissance. Robbed of its technicalities 
the “lost wax” process consists in the fashioning of his 
design by the sculptor in modelling wax superim- 
posed on a core of clay. This wax model, elaborated 
to the utmost, is in its turn overlaid with a clay-like 
composition. The whole is then subjected to heat, 
which hardens the clay and allows the wax to melt 
and run out, leaving an exact hollow mould of the 
original composition with its centre occupied by a 


13 


clay core. Into the vacant space between this core 
and the mould, formerly occupied by the wax, the 
molten metal is poured. After it has cooled the 
outer mould is broken carefully away, the core raked 
out and the artist’s model is revealed, not in wax as 
he left it, but in the more enduring bronze. The 
metal has, to the minutest particular, the lightest 
touch of the sculptor’s modelling tool, assumed the 
form of the wax original. This it is that gives to 
the “lost wax” process its artistic value, though it is 
an advantage gained, of course, at the complete loss 
of the model and therefore, it would appear, unsuited 
to the production of more than one casting from the 
same model. Comparatively recently, however, mod- 
ern ingenuity has devised a method of “lost wax” 
casting which, while preserving the strict integrity 
of the original process, allows of the production of 
more than one copy from the same original. 

As will be suggested by this necessarily brief 
description of the manner of bronze-casting, the 
process is one which needs not only conscientious 
and intelligent supervision, but also a high degree of 
artistic sympathy on the part of all those who are 
engaged in carrying it out. At its every stage con- 
stant care, honesty of purpose and a high degree of 
technical skill must be brought into play or the result 
is artistic failure. Thus, for instance, after the cast- 
ing is relieved from the mouid it requires the most 
judicious handling so that, while it is freed from all 
fortuitous asperities and irregularities, yet no inter- 
ference with the ideas and intentions of the artist 
who modelled the original may be apparent. 

It is only in the case of a foundry of the long 


14 


and high standing of the Gorham that reliance can 
be placed on this needful perfection of every detail. 
The richness of the alloy with the corresponding 
beauty of appearance and enduring qualities, the in- 
evenious construction of the mould so as to ensure 
the absence of faults and fissures in the casting, the 
judgment and dexterity displayed in the finishing 
touches and finally the ripened experience which 
oversees all these are to be found, in equal degree, in 
no other establishment of this nature in the country. 

Since the establishment many years ago of its 
Foundry the Gorham Company has endeavored 
worthily to carry on the traditions of those Cinque- 
Cento goldsmiths and silversmiths to whose artistic 
devotion we owe such masterpieces as the Florentine 
gates of Ghiberti, the David of Verrocchio and that 
grandest of all equestrian statues, the monument of 
Bartolomeo Coleoni at Venice. That these endeav- 
ors have not been unsuccessful is evidenced by the 
fact that to the Gorham Foundry have been en- 
trusted by the leading sculptors of America a suc- 
cession of highly important commissions. Note- 
worthy to aremarkable extent among these has been 
the series of heroically proportioned bronze statues 
which have attained a world-wide celebrity. From 
the earliest times bronze has been the favorite mate- 
rial of the designers of colossal statues. From the 
most typical of them all, one of the so-called “Seven 
Wonders of the World,” the Colossus of Rhodes, the 
Saracens are said to have taken at the sacking o1 
Rhodes no less than 720,900 pounds of the finest quality 
of bronze. It must not, however, be imagined that 
the work of the Foundry has been confined to such 

15 


sculptural castings as statues, bas-relief and portrait 
busts; striking as have been its triumphs in this di- 
rection. Of architectural works, for instance, and of 
the smaller ornamental and decorative pieces for the 
domestic interior the production has been as exten- 
sive as successful. This is of special interest at the 
present time when the tendency of the leading archi- 
tects is so markedly in the direction of replacing 
much of the ornamental work of the modern house 
formerly carried out in wrought or cast iron, by 
bronze. Not only is the latter material recommended 
by its decorative appearance for such architectural 
accessories as gates, screens, newel posts, porte- 
cocheres, and balustradines, but its freedom from 
rust and ability to withstand all climates and changes 
of temperature are very highly in its favor. 

There is, however, one department of the 
Foundry in particular which is deemed worthy of 
some consideration in detail. It is that which is 
devoted exclusively to the production of those bronze 
Memorial Tablets for which of late years there has 
been so insistent a demand. That this revival of an 
old-time custom should be increasingly honored in 
the observance is by no means remarkable if one 
considers how important a place in the werld’s his- 
tory the lettered memorial has always held. The 
hieroglyph-incised “stele” of the Egyptians, the half- 
worn “brass” of the quiet English country church, 
and the decorative tablet which adorns the American 
hospital ward and at the same time records the name 
of some charitable donor, are all linked together in 
one common lineage. Inspired by the same spirit 
of reverence for those who have departed and by 

16 


the same desire to permanently record their praise- 
worthy deeds or their moral excellences these tablets 
have had for the living the double value of a me- 
morial and an incentive; so their erection assumes 
the respect of a duty towards the community at large 
as well as of an act of loving regard to those com- 
memorated. No more fitting form of memorial has 
yet been devised than the simple but decorative 
tablet of bronze. It is beyond all others permanent, 
it is artistic, unostentatious and equally appropriate 
whether placed in Church, Hospital, Library or 
Public Building, while, unlike the ordinary mortuary 
monument its erection ts fitting at any time, no mat- 
ter how many years may have elapsed since the death 
of the person, or the performance of the deed it is de- 
signed to commemorate. 

The very nature, however, of the bronze tablet 
confines within somewhat narrow limits the expres- 
sion of the artistic idea which should, of course, 
underlie it. The frank recognition by the Gorham 
designers of the fact that mainly by the deft ar- 
rangement and judicious choice of type forms is the 
decorative value of the tablets to be assured is 
largely responsible, taken in connection with their 
long and varied experience, for the surprising success 
that has attended the production by the Gorham 
Foundry of a very wide range of Memorial ‘Tablets. 
It may indeed with confidence be stated that in this 
particular direction there is no other establishment 
in the United States which can offer such advantages 
to those desiring to erect memorials of this character. 





SOME WORK BY THE 
GORHAM BRONZE FOUNDRY 











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Placed in the County Court House, Chambers Street. 


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6 IGE I 5 
W. F. Beekman, Architect. 














New York City 


Cast in Bronze by The Gorham Co. 


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: rhe PARISHIONERS" OF ec unce OF 
OUR LADY OF GOOD COUNSEL 


HAVE PLACED THIS TABLET IN PRAYERFUL REMEMBRANGE 
OF THE FOUNDER AND FIRST RECTOR OF THE PARISH 


REV. WILLIAM J.OKELLY 


BORN MAY 19.1848 IN GHARLEVILLE. IRELAND 
_- ~~ ORDAINED PRIEST MAY 25, 1872 
IN S. JOSEPHS SEMINARY, TROY. N-Y. 
DIED DEC. 9.1901 IN THE PARISH RECTORY. | 


HIS LABORS WERE GROWNED BY THE DIVINE MASTER 
EIGHT MONTHS BEFORE HIS DEATH. 
IN THE GONSECRATION OF THIS BEAUTIFUL TEMPLE 
TO. THE PERPETUAL SERVICE OF ALMIGHTY €T0) 


“THEIR. WORKS. DO FOLLOW THEM 


ON HIS SOUL GooD JESUS HAVE MERCY 
- MOTHER OF GOOD GOUNSEL. ALL YE ANGELS 
AND SAINTS OF GOD 
PRAY FOR HIM. 


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ERECTED DEC.9.1902. — sie J.N.CONNOLLY. RECTOR. 





Placed in the Church of Our Lady of Good Counsel, New York City 
Se x y by Aes 
Jos. Sibbel, Sc. Cast in bronze by The Gorham Co. 





Placed in the County Court House, Chambers St., New York City 
a x ene o% 
G. T. Brewster, Sc. Cast in bronze hy The Gorham Co. 


4 Ohis Church bas Crected be 
Big Children 


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shptetidgdebet ida 





Tablet placed in the Gould Memorial Church at Roxbury, N. Y. 
46” x 20" 


Henry J. Hardenbergh, Architect. Cast in bronze by The Gorham Co. 




















Blessed 
be the Lame of the Liord 
Bor the good example 
and greatly beloved memory of 


WALTER GARDRER. 


WEBSTER. 
Bachelor of Sacred Theology. 


Curate of this Parish, 
Scholar, Saint, Priest, 
Cho, on Duly 4th. AD, 1898, 
In the wreck of La Bourgogne 
Gave up hig soul to GOD. 


ae 
Requiem aeternam dona ei Domine 
Et Lux perpetua lureat ei, 





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Placed in St. Stephen’s Church, Providence, R. 1; 
Brass Plate with Bronze Border 





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SUSAN MATILDA porn 1853 CHARLES FREDERICK born 1856 | | 

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Placed in General Theological Seminary, New York City 
54” xX BOF 
Cast in bronze by The Gorham Co. 


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Engraved Brass Plate, Bronze Frame 
3214" x fol 
The Gorham Co. 


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THIS TABLET WAS ERECTED 
BY DIRECTION OF 
THOMAS BISLAND ROBB 
’ ‘TO THE GLORY OF GOD 
AND IN LOVING MEMORY OF 


HIS WIFE 
i835 HARRIET STEVEN ts67 
AND OF THEIR CHILDREN 
60 ANDREW STEVEN ses 
1362 MARY ZAVITZ iss 
is66 FANNIE RANSOM. 1867 
IT ALSO COMMEMORATES HES AEQUEST 
OF $3000 To THE ENDOWMENT PUNE 


x” OF THIS PARISH HOUSE, a 





Engraved brass, 9” x 7”, on oak 





Metal, 1814” x 25”, on oak back 
Cast in bronze by The Gorham Co. 


36 





16” x 16” 
Cast in bronze by The Gorham Co. 





2a x 7a ts 


Cast in bronze by The Gorham Gor 


37 


Kor THE: GLORY: (6) 3 GoD 
AND: IN: MEMORY: OF 


GEORGE: W. SMITH 


1832 = 1901 


: VESTRYMAN 1870 WARDEN: 188 
: _BY-THE 
. ( Se ce 
CHURCH: OF: THE-INCARNATION: 





Placed in the Church of the Incarnation, New York City 
320 x 21!’ 
Cast in bronze by The Gorham Co. 


IN MEMORY OF 


REV. HIRAM CARLETON, DD. 
BORN JULY 18,1811 DIED, AUG.9,1893 
—— RECTOR OF —— 
THE CHURCH OF THE MESSIAH 
_ FROM NOY. 1866 TO OCT. 1881 
__A FAITHFUL SERVANT OF THE LORD, 
HE ENDEARED HIMSELF TO ALL WHO || 
= | KNEW HIM BY THE CONSISTENCY 





Engraved brass, 30” x 20”, on oak back 


The Gorham Co. 


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aasveet! 





Placed in Eighth Regiment Armory, New York City 
6’ x gt 4” 
Cast in bronze by The Gorham Co. 


40 


ALLIGER, CHARLES: 
ABEEL RAYMOND 
ALLWOOD,. WILLIAM 
BRADLEY, AMBROSE S. 
BOOTH FREDERICK 
BOUTON, LEONARD 
BAZIONILEWIS J. 

© BETTS LEER. 

| BORDEN. CHARLES E. 
BROWN, FREDERICK P.. 
BROOKS. LEWIS J. 
BURHANS,EOWIN ~~ 
CHARLTON. EDWARD 
CRISPELL.HOMER H- 
CONLON, JOSEPH T. 
COHEM.WILLIAM 
CLARK.HENRY $. 

> COLES. ROSWELL 
DEITZ. WARREN 


DEMPSEY,GEORGE 8. - 


DIAMOND,G.FRED 


EHLERS LEWIS Aula. < 


FRITOG.CARL we 
FRANCIS.ROLLIW J, — 
GILLIGAN, PETER A, 

© GRIMES. JOSEPH P. 

| GOLDSWORTHY. HENRY 
HAGAN, JOHN F. 
HALLORAN,PETER J. 
HARRIS. JOKN4? 7° = 
HICKS HARRY C 
HOLDRIDGE. LEWIS A 
HYDE TENNEY R. 
ISRAEL.MILTON J. 
KEEFE.CHARLES S$. 
KEEFE AUGUSTUS 5. 
KING, ALEXANDER 
KEMPER.EUGENE W. 


_CUFTON MEAD 


“WALTER S.NESTELL 


tee. WILLIAMG, 
QM. JCHRISTIANE 


_ SERGT.ARTHUR E WINT: 


‘JAMES A.WOOD- 
+e SOHN ESMITH 
a+ WALTER S.FOSTER.- 
“~, DAVID W.BOYD 
“CORPORALS 


- CHARLES H. SMITH 


CHARLES W.BECKER 


FRANK B.WILMOT 


IRVING H.WADSWORTH 
FREDERICK PRULL 
GEORGE M.BEEKMAN 


EDWARD D.F ITIGERALD- 


ARTHUR C.BAYLOR 
JOHN A.JERSON 


~ CHARLES H.MOORE 


WILLIAM G.SELLERS 
JAMES S-MCENTEE 
MUSICIANS 
JAMES S.BARBER 
RALPH H.SLEZINGER 
ARTIFICER 
ASA M.HYATT 
WAGONER 
WILLIAM HAINES 


DIED IN SERVICE 


Mc KENZIE EDWARD 4, 
McMILLAN. CHARLES | 
NASHOLTS,BURTON F. 
ODELL.ALBERT GC. 


“ OSTRANDER.FLOYD A. 


“OVERBAUGH.WILLIS D.. 


OVERBAUGH,R.EUGENE 


PARTLAN.ERANK J. 
PHINNEY,JAMES E.da. 
PLASS,VAN NESS. 
RHODES.SOLOMON D. 
RICHARDSON, EDWARD D. 


» ROMER.C.ARTHUR © 


ROOSA, KARL ¥. 


~ ROSS, CHARLES 


RIGE.FRANK V. 
SCHOONMAKER.EGBERT 0. 
SIPP.CHARLES 
TERWILLIGER ALBERT 
THOMPSON, HENRY 
THOMPSON.FRANK W. 
TOWNSEND, GEORGE W. 
VAN DEMARK, LUKE 
VAN WART, BERT 
WACHMEYER.GEORGE W 
WAGER. GEORGE 
WINTER, GEORGE A. 
WINTER DAVID H, 
WOOD,GERARO F. 


SERGT.WALTERE.VANGAASBEEK —PIRIV, GRANDVILLE L-WELLES 


CORP. HERBERT A.CROUCH 


Cast in bronze by The Gorham Co. 


5a ot x a 


41 


+e GEORGE VAN KEUREN 


ie WcANOREW.WILLIAME. 





Placed in Armory of Company M, Kingston, N. Y. 


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COCHRAN SHLLIAA BUTLER CHARLES: 

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8/ AY X 4! 6” 
J. Massey Rhind, Sc. Cast in bronze by The Gorham Co. 


42 


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30)6" x72" 
J. Massey Rhind, Sc. Cast in bronze by The Gorham Co. 


43 


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= WR yh SRt 
NAGI see 


Qa we 





Placed in Chapel, West Point, N. Y. 


Ls 3%" 56 2! 11” 
McKim, Mead & White, Architects. Cast in bronze by The Gorham Co. 


44 


TONONGMeoyss 


PMelDORE KONTi se 


THE OGNONDAGCA® CHAPTER® NATIGNAL= 
SOCIPDY« DAVCHTERS OFTHE AME RI CAN REVOLV TION ~ 
THE*SYRAGVSE CHAPTER: EMPIRE:STATE*SOCI EM Ys 
SONS0F THE AME RICAN REVOLVIION & 


1 aman asaiss 





Placed on the Federal Building, Syracuse, N. Y. 
SOU x 69” 


TeKoni, oc.” *Castin eee by The Gorham Co. 
4 


og) weysory OYJ, Aq azUOIG UL IseD 
CV ak es 
"UUOD SYOIMUDIIO) 1B YOOI UO PrdV[q 


"@061 GY NNOD: HOIANIAYD 40 


= NOLLNIOATY NVOINSWV SHI 4O SYFLHONVG Y4ldVHD 11IH WYNNd ~ 
AML AS 031034a 


‘M0104 OL GaHvO S304 GAYGNNH ANVW 4O JNO 
LON 3YaHM GV31 OL ONINVG ‘G3dvOST ONY 
AERIS Obi) Sree ly Cereal 


“AMTVAVO HSILING A@ Qansund 
--QNW SHZIGI0S SIH WOY4 440 1nd 


: WNL T2VdS! WHINID. 
BELL '9¢. AUVs 4 NO 4u3HM 
| 10ds” aHL SHuVIN SIHL 





460 


rq: 


L Aq sea 


uQt X yQ@ <YeO JO dAISNIOX 


Na 


vO uO POKD tuvytory of 


Hd OWd, 
J MONOH NI MONNOS CNY. 
Ag HLTH 





47 





Conn. 


=) 


in Hartford 


Placed 


"x 2A" 
in bronze by The Gorham Co. 


43 
Cast 


soe, 


Massey Rhind 


J 


( 


48 





Placed in St. Peter’s Church, Westchester, N. Y. 
Engraved brass, 36” x 24” 
The Gorham Co. 


49 


BOs) uleyIOL) ou L &q aZUOIqG UT ISB) 


‘sloamyory SAUY AA * PRI, “WISI 


ut X wAeS 
‘YI “Wonead “qnloD vda]opuo A Ul peor 


Ne 
— 


TTI 


Meg an 


IMEEM PIE OL EME LINE NIN 


RE Hein hm 2 


TT ie ite ae oe 


"Sei Wine Rian tte own 





50 


yoRg eo uo BOG) Wuvytlory ouL Aq oZU0IqG ul ISBo) 
a9t X 8S 
AD) YAO K MON ‘yeudsofy JOMO[Y Ul paor[g 


Sater BUS, 


FO ee | ae TWJIWIODIVN = HLINS HIVID LS 
NVYWMOVIEMWM «= LLAIOGOTAM F9NOID = ALHONOGASIONVYA Q10ddIT HL TYVD 
TINNOD MJONINVIO: =» SUHOSAGNNIMVW = sCNOATH WOON =~ TYHINSITIT TAN WVS 
~ » IMODA Ya TTVM NOLHONOHD AMNSH ©) HLNWTTH COL WM | - ONTIMOG M NHOF 
JVIIOW A YV9CI MTN NHOP MOIGUNG dNSHdILS  GYxOdIGVHd'S MNVUS 


XOOWMAAINGIS SIYVINDUVAdITHd = TTVNO-WOWM NATIV 4 AHLOWIL 
i, . ‘SSSI SOALINOVASOTTIOOSHLAO 
7} @ SHOIAYAS SHI SY dOWIWNOS CNV SAWN SH STWALdd ddd OL > § 


@ 


tale: 





51 


Me 


<A SS 


cette, ieee 





Placed in Hospital, Biltmore, N. C. 
30” x 48” 
G. T. Brewster, Sc. Cast in bronze by the Gorham Co. 





Placed in Philadelphia, Pa. 
ae x Se 10” 
J. Massey Rhind, Sc. Cast in bronze by The Gorham Co. 


53 


tod) weys0sy ay, Aq FASO SS seq) “paMYyosy ‘iauUNIg “A, “V 
an AVE X Bt 
Aug YOK MAN ‘[eudsopy weurg NOP UL peri 


SEINE AERTS SIH. 
EOP NOVAUINWLOB ERIN EUn SE) NIL 


AAD CeLSO) et NANTES NOLO) qHL 


0 SUOLIAYIG 40 GuVvOg FHL Md 
PRUIMEEEE| iN CAGNOF : 





54 


od) wIEYION aya Aq azUOIG UI ISeD 


eee 


taxa you, 


os¥oIys) Ul padei 


a 


NWINSLAGS Sid 





55 


‘od) WeYIOL ay} Aq azuoIg UT seg “9G SAapePY NOG eff 
009 X 49k 
“AON ‘udpyoorg ‘Atole1oqey] pur[seofy ay} ur poor 


4 


tak “ek en 
SS 
ee ONL 

DOV ired vad me Ra ats © ANI 





56 


"OD weyloy oy, Aq aZUOIG UT seO 
*Auvsoyrul uo payunosy 


ORCAS AUAEN EN 





Sy 


met 


HR cnony. oF eee 
mM = Mrs. SOPHIA UNTERBERG 
mH © SCAND MRS. ADELE EPSTEIN = 
B) THIS OPERATING ROOM WAS RE De 
|| AND IMPROVED BY” oe 
URTEREME ae 


C 








} 
Placed in Lebanon Hospital, New York City 
PRS D6 ee 


Cast in bronze by The Gornam Co. 


DIESE ABTHEILUNG 
PS IGteGeoutle ia. 
ZUM ANDENKEN — 
3] AN DEN 751EN GEBURTSTAG 
oe [HRES 
VATERS UND GROSSVATERS 


| OSWALD OTTENDORFER 


VON 


=| FRAU ANNA WOERISHOFFER | : | 
4 GRAEFIN ANTOINETTE SEILERN * - 
ss UND 


= | EMMA CAROLA WOERISHOFFER 





ZO Xe 2 ea 
Schickel & Ditmars, Architects. 


Cast in bronze by The Gorham Co, 


55 


THEFIRST NINE 
ao. OF THIS, WYRD 
We ay GIVEN IN MEMORY O} 


JGENE M.F-RANDOLPH 


AN B= 


MRS: CARMAN F-RANDOLPH 
ISOS AND WOL 





Engraved Brass, 12” x g”, on oak 


LF HAVE caused me TABLE 
|| TOBE INSCRIBED IN COMMEMORATIO 
OF THE ENDOWMENT OF TH 


LOW MATERNI 





Metal, 24” x 18”, on oak back 
Cast in bronze by The Gorham Co. 


59 





Placed in The Long Island College Hospital, Brooklyn, N. Y 
1934” x 3014” 


J. Massey Rhind, Sc. Cast in bronze by The Gorham Co. on oak back 


60 


a" 
Se 
“a 


* 
ro 
» 
os 
ot 
o 
ow 
= 
= 
e 
wwe! 
” 
vert 


« 





Placed in The Hospital for Ruptured and Crippled, 42d St., New York City 
2514" x 18” 
Cast in bronze by The Gorham Co. 


61 


-“A-D-MCMIE + 


sani tons iae” eemewscmemige tun nue 





a ee fh elk ie a, 


Placed in Benson Memorial Library, Titusville, Pa. 
4! xX AML Tih 
Jackson, Rosencrans & Canfield, Architects. Cast in bronze by The Gorham Co. 


rrp werner ren tnt Le ce ae a a eee 


i 


PR TEESE A 


ier ie orue 


Ci mesi £e3 Bi 


tiett ei e et 


wees 


ae Him 


oF em 
td 
Ae oe 5 Be 4 


“ANNO DOMINI- 
— MCMII - 


RAN WE HY 





Placed in Reid Memorial Library, Passaic, N. J. 
ae 64" x at 11” 
Jackson, Rosencrans & Canfield, Architects. Cast in bronze by The Gorham Co, 





Placed in Crane Memorial Library, Quincy, Mass. 
Metal, *21%x 33757 on oak! back 
Wm. Couper, Sc. Cast in bronze by The Gorham Co. 


64 





Mo. 


> 


| 
J 


R 


aced in Kansas City 


M 


X 24 
ast in bronze by The Gorham Co. 


Z07 


CG 


Se 


> 


G. T. Brewster 


65 





Placed in Library, Windsor, Vt. 
Za x Ae 
Geo. T. Brewster, Sc. Cast in bronze by The Gorham Co. 


66 


BY HIS MUNIFIGENT GIET™ FF 
: Sot 000. ie 


cE 
ah if GALESBURG 
a it) -ECTING THIS BUILDING. 
CATED 10 THE PURPOSE: 
FREE: PUBLIC LIBRARY 
FOR THE PEOPLES USE. 


s 





29" x 19" 


Cast in bronze by The Gorham Co. 


67 


5OR) WeYyto£) eUL Aq 9ZUO1Q ul JSBo) 
uve Aq u9t 


BMOT ‘BMUINIGO Ul pasr[g 


-VMWMNLLO + JO -41d044-4H1-O1-1410-V-SV- 


AIDANAVD- MIYQNY: 


x 





68 


OD weYyior oy], Aq azuoiq ut IseD 
OVase Ve 





| \ADLEIOH HIGH ‘SCHOOL 
| 1S SO NAMED IN RECOGNITION OF 
ap THE eee SERVICES. OF 





Placed in the Wadleigh High School, New York City 


4’ 4” x 3’ 
Cast in bronze by The Gorham Co, 


7O 


_ RICHARD W.ADAMS. JOSEPH K.KITTEL, 
JoHn T.eURKE." GEORGE LIVINGSTON. 
VERNON H.DAVIS. HENRY W.MAXWELL: 
HORACE E.DRESSER, THADDEUS MORIARTY. J.EDWARD SWANSTR 
_ EDWARD FL FARRELL, MILES M.OBRIEN, SOHN RTHOHPSON. 
JOHN GRIFFIN.M.D. CHARLES E.ROBERTSON. GEORGE ¥. 


SCHOOL BOARD 1 BOROUGH o BROOKLYN 
GHARLES E. ROBERTSON. PRESIDENT. 
FRANK L.BABBOTT, ... GEORGE H.FISHER. GEORGE E.ROSTRAND. 
IRA U.BAMBERCER. GEORGE FREIFELD ELWIK S. PIPER. 
JAMES F.BENDERNAGEL, JOHN GREENE, JOHN K.POWELL. 
THOMAS CACCIOLA. JOHN GRIFFIN. M.D. GEORGE W.SCHAEDLE. 
JOHN J.CASHMAN, GEORGE D HAMLIN. M.D. PENRY P.SCHNIDT, - 
CHARLES N.CRADWICK. JOHN HARRIGAN.M.D. SAMUEL R.SCOTTRON, 
GEORGE P. CLARK. H.A.D. HOLLMANN. ARTHUR S.SOMERS. 
JORN J.COLGAN.M.D. FRANKLIN W. HOOPER. ANDREW T.SULLIVAN. 
GEO.W. DONOHUE. DITHAS JEWELL. _ S.EDWARD SWANSTROM. 
A.J. DOWER.M, D. ADOLPH KIENDL. JOHN R.THOMPSON.. 
HORACE E.DRESSER. HENRY WMAXWELL.  JONN J. WILLIAMS. — 
CARL A.EVERTZ, © “HENRY C.MTLEAN.M.D. CBARLES C.WISE. 
_ SOHN J.P, FAGAN. JOHN N=NAMEE. -——s—s GEORGE B.WOODWORTH. 
THOMAS M.FARLEY. “MICHAEL MURPHY. JAMES WRIGHT. 
THOMAS J. FARRELL. < RICHARD YOUNG. 


COMMITTEE®BUILDINGS. Boar» Epucation. 


RICHARD H. ADAMS, CHAIRMAN. 
JOHN T. BURKE. MILES M.OBRIEN. F.DE RASS SIMONSON. 
GEORGE LIVINGSTON, CHARLES E.ROBERTSON. JOHN R.THOMPSON, 


C.B.J.SNYDER. ARCHITECT. SUPT OF SCHOOL BLDGS. 


AW.ROSS. DEP TY SUPT OF SCHOOL BLD GS. BoRo* BKLYN. 
WaT. LAMB, BUILDERS ERECTED 1899-1900. 





i 8” x oe 4 Mu 
C. B. J. Synder, Architect. Cast in bronze by The Gorham Co, 


71 


Ponte EDUCATION 
- HENRY A. ROGERS, PRESIDENT © 


| RICHARD A. [ADAMS CHARLES L. GUY : JACOB W.MACK 
FRANK L.BABBOTT GEORGE D. HAMLIN 
NICHOLAS J.BARRETT WILLIAM HARKNESS 
JOHN J.BARRY ROBERTLHARRISON GEORGE E.PAYNE™ 
ARNOLD W.BRUNNER ~— LOUIS HAUPT - LOUISA Lonashan 
M.DWIGHT COLLIER JAMES JHIGGINSON EDWARD V.W.ROSSITER 
THOMAS B.CONNERY: ~~ GHARLES HLINGALLS GEORGE W.SGHAEDLE 
FRANGIS PB. CUNNION FREDERIGWJACKSON ABRAHAM STERN” 
SAMUEL M.DIX «NATHAN S.JONAS _ THEODORE BTHOMSON 
9 SAMUELB.DONNELLY JOHN C.KELLEY HENRY N.TIEET 
A.LEO EVERETT JOHN PB RELLY _ GEORGEAVANDENHOFF 
FRANK HARVEY FIELD MICHAEL J. KENNEDY FELIX M.WARBURG. 
» JOSEPHN.FRANCOLINI ADOLPHKIENDL JAMES WEIR. JR. 
) ALGERNON S.FRISSELL © WILLIAMLUMMIS FRANK D.WILSEY 
JOHN GREENE ALBERT G.MCDONALD GEORGE W.WINGATE 


LOCAL SCHOOL BOARD DISTRICT XVI 
ELLA HASTINGS, GHAIRMAN 
GUSTAV G.EISCHLOWITZ -M.G.MURRAY HYDE 
JOSEPH M.HART © . SAMUEL STEINFELDER. 
COMMITTEE ON BUILDINGS 
RIGHARD H.ADAMS, GHAIRMAN 
JOHN J. BARRY GEORGE W.SCHAEDLE 
ARNOLD W. BRUNNER _ ABRAHAM STERN 
SAMUEL B. DONNELLY THEODORE E.THOMSON 
MICHAEL d. KENNEDY JAMES WEIR, JR. 
C.B.J. SNYDER, ARCHITECT | 
SUPERINTENDENT OF SCHOOL BUILDINGS - 
J.B. ROBINSON 
“DEPUTY SUPERINTENDENT OF SCHOOL BUILDINGS 
BOROUGH OF MANHATTAN. 


GEORGE meDEE HAN punpER _pnscté 7 1903 1904 


con wong rapeusa ts esp nin ocrmonat ‘omegrensg 
“i nett an iv rh f 


SERENE NICS 


igo pees. anaes 





583 34 nx 43 ” 
CB al ssyuder; nee Cast in bronze by The Gorham Co. 


lo 


“I 


PATERSON CITY HALL. | 


DESTROYED FEB. 97x, l902Z— 
RESTORED 1902 & 1903 


SRegngTee ET GT 


MAYOR JOHN Hl NCHCL Lik rE 


ray ‘a ray 


PUBLIC BUILDING COMMITTEES 


1903 : 
S.M. SCHOONMAKER. 
G.AFISCHER 
A.KAMERLING 
J.MILLER 
DYOUNG: 
- DR. ELE ZMAURICE 
R. BO \GERT J. JOHNSON | 


JTPOLLITT. CLERK 


ET LECT 


acorn 


* 


i, 


RRE : HAS EIN 

NE ae xe ae CITY 

ey mn ray 
CONT! ee 
PETER VAND ee 


NE‘ VV ‘ARI KK. [ 


34” x ele 
Carrere & Hastings, Architects. Cast in bronze by The Gorham Co. 








THIS ROOM IS DEDICATED 
RO) 985/20) e).b 4.0) 2 1018) D) 
AND IN MEMORY OF 
GEORGE W.-: SMITH 


FEBRUARY 22 - 1832 


AUGUST 13-190! 


VESTRYMAN AND WARDEN 
OF 2 THE= CHURCH.-OF: ‘THE 
INCARNATION AND FOR 
MANY YEARS THE DEVOT- 
ED FRIEND OF THE SUNDAY 
SCHOOL OF THIS CHAPEL 





NS AMO? Se Ba ee 
Brite & Bacon, Architects. Cast in bronze by The Gorham Co, 


74 





35” X 49” 
Cast in bronze by The Gorham Co. 


a 


| PRESENTED TOTHE 
INTERNATIONAL COMMITTEE OF 
DOU 
“CHRISTIAN ASSOCIATIONS 
ASUM SUFFICIENT TO 
PURCHASE THESE GROUNDS 
AND ERECT THIS BUILDING. 
“HAY 15.1902, 


[aN Fi Fe 





Placed in Y. M. C. A. Building (Naval Branch), Brooklyn, N. Y. 
Metal, 31% x°19”,.0n oak 


Cast in eine by The Gorham Co. 


| 


Hera i ng 


inthis Sane 





Placed in St. John’s Catholic Church, Orange, N. J. 
Engraved Brass Plate and Bronze Frame 
40” x jee 


77 


‘od WeYI0y oy.y, Aq azuosg ur ised 
uAGIX wre ‘OD WeYION ayy, Aq ezuosq Ut s¥_ 
We ey Xe 
"RON ‘asnoevsdg ‘Burpring Alssaatuy) oy} ut paorig 


LDPE WR 
# SOL AMIN NOMMIO. & 
NC | EN aA 


ro mene Sas an 


=e 





ddZ LOY) 


JLLANIOLNY Flav 
YdHLOW SIH 
40 AYOWSW ONIAOT NI 
YqZ LO Gos 
; Ad QILNASAYd 
S119q Nal JO SWIHO 


\ 
ah 


ee we 


AH LONV.GAL31dWO9 SVM | 


0} Ne 


UAINPAIAP PRO TP eee tae 


pel en ot et 


ty) 
DD DDD DODD ODDO DRDO dea fe 





78 


w¥Z X yBl YeIAL *Yorq yeo ‘aqyd ssviq poavisuy 


96R2I AVG YALSVA + 
+ O4d Syl + 


AVHSNAH WYHNHNG GUVAdA ct 
MAWWNS SIAVYO YNNVIOUORD ake 
YAWWNS MOLSUYE TARY | 


QVSaAuYW UIAYd O01 


VYIVH WVITHM 6 


WVSSIM ((NVHISON)'f AUYN ONY : 
WVSSIM GVAHSLIHM TAINYG 


‘QI aad QYuOANYS WOS9 3LWH Z 
‘OL ATL 


it 


“bl AWW z 
AWIMVH “4 ANY? oRv | : 
IGRI'SS LE MAY NOSON 


“e2Qt" UVM NOSNIGOU VIGAT ¢ 
16Q1 ‘1 UWA - STOHOIN SGUYMAZ Siebiaal 
NGQiTE UWW YAaLSMAUG (STOHOIN) a¥zzri{° 
“IGRI Udy NOSdWOH.L NVSMS S3ONWHd ONY | 
‘ERR! 'OL LOO + NOSdWOHL ITA 


40 KYOWAW ONIAOT NI 
YAMO], SIHL NI G39V'Id SUV STTAG JH] 





129) uIvYIOL) wu L 


yorq yeo uo *,z£ x ,zz ‘ajerd sseiq poarisugq 


IRS H 


“SOVIGHLUIG YAH SVM HOTHM 
SNITIIMG SIHL NOdi LSaY AVW 
NOILIIGANAG SHNOIAVS AHL LVHL 
AVUd (INV AYOWAW YAH HSTYSHO THM 
NAWHIYAHD JO SNOLLVYANAD 


+ 
TIASS TY NMOU AdOH SUN 
Ad AONIGISAN SHOHSIA SLI YO 
C(NVIS] AGOHY JO ASAIOIG INL OL 


MYUVTO HOUVW SVNOHL 
JO ALVAO0SI49 TUL AO VIA HUA ALO FELL 
“S681 GUO] U0 JO UVAA FHL NI 
NIAID AUV 

IVW UITHL YO4 NOISIAOWd V HLIM 
SCNOU9D CNY ASNOH SIKL 


GODS: PROVIDENCE: HOUSE. 


THIS: TABLET: HAS-BEEN- HERE: PLAGED 
IN-REVERENT-AND: THANKFUL: MEMORY: OF 


ALBERTINA: SHELTON: PYNE 


WHO: BUILT: THIS: HOUSE: AND-IN-MANY 
OTHER: WAYS: HELPED: FORWARD, WHILE-SHE 
LIVED, THE-WORK: OF -THE:-SOGIETY: WHICH 
THUS: RECORDS -ITS-HIGH:SENSE- OF -HER 
VIRTUES: = 
"GOD'S -PROVIDENGE:IS:MINE:INHERITANGE. 
¥ 
a id! 





Engraved brass plate, 18” x 27”, oak back 
Letters incised and blacked in 





54” x a6" 
Cast in bronze by The Gorham Co. 


So 


ALVORD MEMORIAL | 
| CHURCH OF OUR SAVIOUR | 
IN MEMORY OF 


ALONZO.A.anp SUSAN ALVORD 


OF NEW. YORK CITY 
Ay D. 1903 





250 x 1 gh 


Cast in bronze by The Gorham Co. 





Placed in the Church of the Incarnation, New York City 


337 x 25u 
H. Vaughn, Architect. Cast in bronze by The Gorham Co. 
St 


‘OXD ueytor) UL Aq 9ZU0IG ul ISBT) 
wit x yOk 


— NOLEVIDOSSV- 
SIHL JO WHOWMAO NV ONV 


: YOLOMld ¥ SUVIA ANYWoUOd SVA\ os | 


“Sac INVI S SH Nee 
HO, 

: XIOWAIN FHL OL 

~ CALVOIGHG +S}. 


SEIS. YHHLO 4O SNOHOGIYE 
GediNeiaacane WaGni i aie 
SAOWANAOD AHL Ad ANAISSO: 


ag NVIESRIEO 


> Sash aHE 10d LOR 
oe ONIGIADSIHE 





Od) WIRYION SYJ, Aq azu0Iq UI Ise 
yorq poom uo ,61 x {LE ‘Te1ajy 


dh hd eh ie hd A 


1A9X222aW 


ATVOLAW 4dMOUM VITACY NdTdH 
_ 41M SIH JO AMOWAW NI 


Od1VOIAW ASSar o 
Ad 


NOISAd 40 JOOHIS ANVISI 4GOHY 
4HL Od GALIaNA ONIGIING SIHL ANY 
‘GASYHOUNd SYM CNV SIHL 


Chey 





LEQ CIA PO pot pat 


EEE OTE Ie} 








ST. JOSEPHS SEMINARY 
DUNWOODIE, NEW YORK. 


THIS TABLET HAS BEEN PLACED TO COMMEMORATE THE NOBLE 
GENEROSITY OF THE MOST REVEREND ARCHBISHOP AND OF THE CLERGY 
AND LAITY OF THE DIOCESE WHO CONTRIBUTED TO THE ERECTION 
OF THE SEMINARY, AND TO. PERPETUATE THE REMEMBRANCE OF THE 
SUCCESSFUL PLAN OF THE RIGHT REVEREND JOHN M.FARLEY.V.G.1O 
PRESENT THE SEMINARY ENTIRELY FREE FROM DEBT.TO HIS GRACE 
THE MOST REVEREND ARCHBISHOP. ON THE DAY OF HIS SILVER 

EPISCOPAL JUBILEE. 
MAY 47x. 1698. 


IN THE MEMORIAL BOOK OF RECORDS. OF THE SEMINARY ARE 
INSCRIBED THE NAMES AND OFFERINGS OF ALL.BOTH CLERGY AND 
LAITY. WHO HAVE CONTRIBUTED TO ITS ERECTION. 


CORNER STONE LAID MAY 171.1891 AND BUILDINGS BLESSED 
AUGUST 127.1896 BY HIS GRACE ARCHBISHOP CORRIGAN. 


WILLIAM SCHICKEL & CO. ARCHITECTS, 


FA.De MEURON. SUPT. 














Placed in St. Joseph’s Seminary, Dunwoodie, N. Y. 
Engraved Brass Plate, Bronze Frame 
see Xx Age 
Schickel & Ditmars, Architects. Made by The Gorham Co. 


84 


THIS BUILDING 
WAS 
REMODELLED AND EQUIPPED. 
IN LOVING MEMORY. 
HARRIET DESHON THURSTON METCALF 


UR Wiz Ve Wine TI Te Te Te te ee ik Bi 


"AND. NAMED. 
Tagen (ls 
“MEMORIAL HALL 


er 
a 
lie 
- 
- 
f - 
t 
- 
& 
a 
hail 
coal 
lo 
- 
= 
— 
= 
= 
= 
= 
— 
<= 
= 
= 
= 


OTE EE Te TE TICE TUT 


Meee C1 NI DU Si Dd dd Dk tc Dd 





“Yel a\\i 


BS amet suena Re . 


36” x 24” 
Cast in bronze by The Gorham Co. 


85 


a aayans ara aia ee ava qe Vqyian/@ises 


i, os 


FIFTH STREET GRAMMAR SCHOOL. > 


THIS WAS THE FIRST SCHOOL IN THE COUNTRY TO 
HE UNITED STATES FLAG AND MAKE THE USE ~ 


E47 A PERMANENT FEATURE OF PUBLIC SCHOOL 
oo ADMINISTRATION, 
THE FIRST FLAG WAS UNFURLED MAY 11,1861. 
MR. SYLVANDER HUTCHINSON, Principat. 


y 





26” x a 
Cast in bronze by The Gorham Co. 


THIS BUILDING WAS ERECTED 
BY HIS PARENTS 
IN LOVING MEMORY OF 


13 (0) A KON 5 HV O0)0)°4 AN (OTe) 


; @ BORN JUNE 19. 1885—DIED FEBRUARY 27.1897 | 





pea x Na! 


Cast in bronze by The Gorham Co. 


86 


BAHNESTOGK. FL. 
IN” MEMORY : 





‘180G= 1887 


20" x 1h 
York & Sawyer, Architects. Cast in bronze by The Gorham Co. 





THE PEWS 
IN THIS CHURCH WERE GIVEN 
IN LOVING MEMORY OF 


HARRIET BABCOCK 
BY HER HUSBAND © 


_ HORATIO. N. CAMPBELL. ~ | 











Metal, 19” x 10”, on oak back 
Cast in bronze by The Gorham Co. 


87 


His ROOM WAS FURNISHED © 
iN’ MEMORY OF 


Bf HARRIET E. ae 


-) BY HER DAUGHTER 
“HELEN A. BELL 
> DEC1901. 





1.6% x g” 


i 6CHARLES STONE § 
Hi SEP ES, coe a 31,1868. ‘ 


: AMY L. STONE ; 
RINGZAV EL AWD etsy 





riey” se. Til 


WORSHIP OF-G°D AND 
OFBE SERVICE OF MAN. 


TO KEEP RHE. MEMORY a 
AND. PERPETUATE 
‘THE EAPEH OF 


MORTON -B-HULL 
AND OF HIS WIFE 
EUDORA-E-D-HULL 


THIS CHAPEL 
IS ERECTED BY THEIR 
_ h, CHILDREN 1897) 





7! ag Gs 
Cast in bronze by The Gorham Co, 


88 





Engraved brass, 14” x 9” 


IN MEMORY OF 7 
ADELBERT STONE HAY | 
1876-1901 j 

“GOD HELP US T0 BE BRAVE” 





Engraved brass, 1144” x 61%”, on oak back 





oa 
THE CHOIR ROOM 
WITH 


MEMORIAL WINDOW 
IS ERECTED TO 
| THE GLORY OF GOD 
IN NG ER 


SARAH EGLESTON LANIER 
WIFE OF 


GHARLES LANIER : 
aa AD. 1808. aes 






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_ The Gorham Co. 


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